Play Perfect Ad-lib Fills (rolls)
in Mid-Song, Every Time. [NOTICE: This lesson is also in the TD Archives: Lesson Menu #4 - TD #24 . It first appeared as an
e-mail (newsletter lesson) back in December of 1998. As time has passed, the message within this lesson has begun to seem so important
as to deserve a more prominent position within this course of instruction. That's why you are seeing it here. This lesson is designed to help you create or improvise fills on-the-fly. It will help you discover a more natural way of playing, as
opposed to (robotically) memorizing the classic note value fills. The wise student will learn to
do their fills, both ways. Learn to 'wing it' or improvise creatively and artistically, but also ponder rhythm theory and the
note-value relationships as well. This particular lesson is designed to help you learn to 'wing it' creatively. ] Play Perfect Ad-lib Fills (rolls)
in Mid-Song, Every Time. As working drummers, we do essentially
two things onstage, with the band. We
play beats and rolls. Even our solos
are made up of beats and rolls. "The drummer who dies with the most
beats and rolls . . . WINS!" WHAT IS A FILL? Sometimes we play 'fills' to add
dynamics as the band goes into the
more exciting parts of a song, like
the bridge, chorus or instrumental
ride. In this lesson, I want to help
those of you who may be having
trouble with fills and rolls. This
is a very simple lesson, but it
could save years of grief after
you've learned to adapt this knowledge to the
songs you'll be hearing every day. AD-LIB FILLS: We may do anything as a fill,
if our timing doesn't get lost in the
shuffle . . . . Our fill could be
one note or 100 notes, provided we
never lose track of the (bass drum)
beat and the beat of the song. In a nutshell . . . It is all in the way we use
the bass drum (right foot) to mark-time as we move from a beat
to a fill, then back to the beat. Simply learn to maintain a steady
bass drum to mark-time while playing
every fill! Once this habit has been
established, solid timing and thundering,
explosive fills will be the end result. To be more specific: If we maintain the bass at a
constant (half-note) tempo . . . and
remember to return to the beat pattern
on a bass note (any bass drum
note) . . . it will always work out. IN A NUTSHELL . . . Drop your fill. Play anything, on a
tom or the snare, but keep your
bass constant! Return to the beat
on the next (or any) bass drum. The
bass will always be at the same tempo.
Each bass drum note represents the potential
resumption of the beat you were playing
before the fill. DO THIS RIGHT NOW . . . Now, . . . STOP the hands completely,
but keep the BASS DRUM going.
That 'empty-time' between the bass
drums . . . is where your fill will go. Return to the beat on any
successive Bass Drum note. You just played a fill . . . but it
was pretty lame! You didn't do
anything around the toms or other
drums during the empty time. NOW . . . Do the same thing again . . .
but do something (anything) during the dead-space,
this time. * Play an improvised (ad-libbed) fill . . .
within the dead pace . . . then return
to the beat. That's all there is to it! Practice
many types of fill patterns using
this same simple formula. Invent the fills
as you go . . . or listen, then
imitate the drummers you'll be hearing
on your favorite recordings. You'll discover that they
are often doing this very same thing. They're making
the fills up on-the-fly, most of the time. Actually, ad-lib fills are mixed
assortments of all the classic note-value fills.
No matter what any drummer decides to play as an
ad-lib 'fill', it will end up being a
mixed-bag of different note-values
and stroke-pattern arrangements . . . In other words, we can mix any
roll-type with any other roll-type.
We can do anything, and it will always
end up being something, as long as we
remain in-time with the music. AD-LIB 'FILL' SUGGESTIONS . . . The possibilities are limitless and there
are no mistakes, if we maintain our
timing by marking-time with the bass Drum.
The objective is to always return to the beat and remain in-time
with the music. To get really good at this, you'll
eventually want to learn all the standard fills,
as they are described in the Classic Fills, lesson. In the classic note-value fill lessons, you'll
learn (train yourself) to play a bass drum note along
with the first note of each half-measure
fill-segment, so that the Bass Drum
will always be constant, whether playing
a beat or a fill. The constant steady bass drum will become a HABIT after awhile. Also, in Rudiments, Rolls and Fills Part II ,
we will learn to extend all of
the standard fills and a few others,
to any length we choose. These
standard fills may be varied around
the kit, to any of the toms and
stretched to any lengths, using this
same 'half-measure' formula,
marking-time with half notes on
the bass drum. IMPORTANT NOTE: I should also mention here that
there are few rules. We do NOT have to begin and end our fills
on the bass drum (or downbeat). That isn't a rule! I'm simply teaching
you this way to help keep it simple. We may actually begin and/or end our fills
at any time we choose. There is really just one
rule and one rule only: RULE: We must always
remain in-time with the beat of the music. You'll easily and quickly discover
that your fills may be any length,
(ie; half-measure, whole-measure,
one-and-one-half measures, two-measures
or more). It is the drummers choice and
it is easy to accomplish, once we 'feel'
the bass drum part and the half-measure
segments of each fill, first. After that,
it's a simple matter of doubling, tripling
or quadrupling and mixing the half-measure
patterns. Also; as we are learning at home, there is absolutely
no reason we must copy the recorded drummer. That
drummer played what they thought sounded best. We should too.
Fills may be injected into the music anywhere we choose. It's
okay to copy the recorded drummers but it isn't mandatory. Onstage; there is an 'unwritten rule' that we should usually
save our fills for the little lulls that occur as a song progresses.
Sometimes the vocalists (singers) get angry if we over-power them with
too many (impolite) rolls as they are trying to express themselvess' in a
song. However; when we are practicing and learning at home, we are
at liberty to play fills anywhere within the song we choose. A drummer and a bass player were walking in the middle of a forest. Suddenly they saw a hungry tiger barely 10
feet away. The drummer calmly opened his knapsack and took
out his jogging shoes. The bass player said " Hey you
dummy . . . Do you think you can outrun a hungry tiger?"
The drummer replied . . . " I only have to outrun you"
Musical Time - Finite to Infinity: Finite to Infinity: Discover the (lost) 500 year-old enigmatic secrets hidden within
the current time-signature system. Seven short mesmerizing and easy-to-follow lessons will lead you quickly and easily towards
(musical-time) guru status. You will learn to visualize (read, write or feel) the existence This should lead
directly to the e-book. This very informative little booklet will amaze you
with hundreds of valuable tips and insider secrets! HOW TO: Purchase old/used drumsets for pennies and resell them for decent
profits.
A 'fill' is a very short roll-burst the
drummer may play on the snare drum,
tom toms or other accessories, to 'FILL'
the dead spots in a song. Usually, we may
play a 'fill' when the vocalist or
singer takes a breath between the
verses of a song.
Ad-lib fills, are fills we may
create or invent spontaneously as we play along
with a song.
As we play most beat patterns in
4/4, the bass is 'natural' when
played as half-notes on the counts
of 1 & 3.
Play a Basic Rock beat with the
bass on 1 & 3. That's the beat you
learned in the 'Drummers Aptitude
Test', ( Lesson #1, on Lesson Menu #1.)
Play the 8th 'Rock Beat' we
learned in the (first) 'Aptitude' lesson!
Just get it going and repeat it
over and over . . .
It is acceptable to mix any note-value type (ie; 8th notes,
16ths, whatever), with any other note-
value type. (Mix fast notes with
slower notes) . . . but keep one
ear into the recorded music and
return in-time with the recorded
drummer, and the beat of the music.
Cool Drum Solos.
Video Drum Solo Lessons Free
Drum Solo Video: Click to 'LEARN' Watch and Learn Now! PLAY Great Drum Solos within hours (not years).
NEW 'Subliminal Method' teaches drum solo techniques PAINLESSLY!
Master rudiments 'NATURALLY' without boring regimentation or serious discipline.
Listen, watch and PLAY your way to awesome drum solos (and polished rudiments) BY SIMPLY HAVING FUN. . . . It works, folks!
Don't be a skeptic until you at least try it first. You owe it to yourself toTRY IT RIGHT NOW!
Membership Includes
EVERYTHING FREE! All the E-book icons are "hot" here at the password site. Click an e-book icon and go directly to the product.
Bill Powelson's Other Drumming Courses