How to Snag Your First Gig
Let's assume that you have been playing drums for some time now. You have a decent drumset and are at the point where playing along with nearly any recording on your sound system is easy. You are definitely a drummer and you want to take it much further!
What is next? Where do we go from here?
This is a very critical point in your development and it is time to make a bold move. We need to get you into a band and . . . not just any band. It must be exactly the right band.
Maybe you are the shy type. I know I was. I was much too shy to play for even a small group of friends. I remember those days. It took me four years to move from the back-room of our house and out into the public eye. I had been ready for nearly three years, but I didn't have the courage to consider it for even a second. I had even begun to lose interest in drumming because I didn't think I would ever be brave enough to get on stage and play with a live band.
Does this sound familiar?
Now, as a lifelong teacher it occurs to me that the most difficult part of helping a student get with their first band is to convince the student that they are ready to make that giant leap. Most students will panic at the thought of actually playing with other 'live' musicians. Confidence is everything!
So . . . How Do we Know we are ready?
It turns-out to be a very easy thing to determine, if we can take inner-fears out of the equation. It often means that a little pep-talk may help get the ball rolling.
Career drummers are easy to spot early-on. They all tend to possess the same identifying traits.
The student is ready if the following is true:
In my case my mom tricked me into making that first giant leap into the profession. She set me up. What a mom! ;>)
Shortly after my 14th birthday, she persuaded me to put the drums in the car and then she drove me over to the home of two brothers my own age, who lived on the other side of town. She was was friends with another soccer-mom across town who had two sons who both played guitars and sang.
I had previously fought with these two guys in school a year or so earlier, for all I knew, we were mortal enemies. Our two conspiring mom's both knew about the fight. Neither of them mentioned names. We (kids) we're just told to get together, setup and play. I was aprehensive as so (If they had only mentioned their interest in music, we probably would have been friends all along.)
To make this long story shorter I'll just say that it worked out fine to my owb amazement. As it turned out, we hit it off this time. We formed our band, and we began rehearsing regularly.
To make the long story, short . . . Within just a few months our new band began to sound pretty decent. Rehearsing was easy and fun, because it was just us, in the garage, day after day. We weren't under pressure to perform in front of a crowd. I gradually realized that the two brothers were as afraid to play in public, as I was. It was something we would overcome together, as a team.
The first few times we played in public were very anxious moments for all of us. However, we soon noticed that as the music began, all the nervousness and stage-fright disappeared. Once our hands stopped trembling, we had a ball. Before long, we had discovered that we were EAGER to play the live gigs in public. IT WAS FUN! Playing before an audience actually turned out to be much more fun than banging away in the garage.
So, if you are worried about all that stage-fright stuff . . . DON'T. You will probably experience it about the same way we did. Once the initial fear subsides; Playing in-front of a crowd is an indescribable blast.
The point of this story is that you must start somewhere, make your own breaks (or get your mom to make them for you), and put that first band together, on your own. Rehearse privately until you have your act together as a band, then put it in front of a crowd.
THE TRICK:
The trick is finding, just the right people. Starting with people who are on your same level is important. Look for people, who are just starting, and with whom you will feel comfortable. This is important! It is important because rejection at this point can be devastating. You don't need rejection. What you need is a big score.
START NOW:
Rack your brain, right this minute! Think of all your friends (and enemies) who can play an instrument. Piano? Guitar? Bass? Brass? Think until you can write down a name or two. Don't even worry so much about whether you like these people or not. You will learn to like them, if the music clicks.
Once you've come up with a name or two, get on the phone and give them a call. Invite them over for tacos and a good old fashion Jam session.
Just do it, and let nature take it's course!
OK! After racking your brain for twenty minutes, if you cannot think of even one person who fits the criteria then you must search them out. Go to plan B, and try this . . .
PLAN B:
Get out the local phone book and turn to the ‘Yellow Pages'. Call the local guitar instruction studios. Talk with the actual teachers if possible.
The receptionist at the store or shop may not respond like a teacher will. Most teachers will not only have a student or two that will meet the criteria, but the teacher will also have a professional interest in seeing their own students succeed. They want to help their students get into the business. They will usually take the time to find the names and phone numbers you're needing. My bet is you will have a list of several names by the time you get off the phone.
If this has failed to produce prospects for your band, call all the local piano teachers, voice teachers and any other music teachers who may advertise in the phone book. You will eventually succeed if you are persistent.
MAKE AN INFORMAL CALL:
ORGANIZE A JAM SESSION.
OK! So, now you have a couple of names with phone numbers.
What is next?
Think about something for a minute . . .
Don't you wish someone would go to all this trouble just to give you a
starting place in the music business? So do they! They have probably
been waiting for this phone call for months. We are all alike! We
wait for someone else to make the first move. We want success to bang
on the front door and drag us out of the house and into the ‘big time'.
These people are probably no different.
So . . . you make that first move . . . and make it as often as necessary until you get the right people together.
The odds are very high that this ‘name on a list' will probably try to climb through the phone line getting to your house. So don't be afraid to make the call. Simply entice them in a very informal way. Ask them over to visit and jam. No big deal.
Don't say anything about forming a band or any of that stuff. Invite them over to jam for fun, and say no more. If they want to do it, they will find a way. Then, If the jam comes off ok, you might make a few plans.
For the moment, leave yourself a back door, and a way out . . . just in case.
The truth is, you may be musically above them, or they may turn out to be jerks or something. Who knows, they may have one big green eye in the middle of their forehead. This way, it won't be a devastating experience for either of you, if the music just doesn't click. Getting a good band together can be difficult, but persistence and determination will eventually pay off.
Try to assemble at least a three-piece group. You will need at least one lead instrument (guitar, keyboard, etc.), one bass guitarist and of course you will be the drummer.
Bass guitarists are often hard to find, so remember, ANY guitarist is potentially a bass guitarist. Both instruments are nearly the same. You may be forced into calling two guitarists, then talk them into taking turns on the bass.
From this point on, the rest is up to you and the new band. Practice in the garage until the music starts sounding ok, then begin volunteering to play anywhere you will be appreciated.
Enter the band in local talent shows, play for family picnics, pool-parties and so on. You will find plenty of places to play if you will use your collective imaginations.
After you have a few free appearances under your belt, and enough material to fill a four or five-hour gig without repeating any songs, put a price tag on your services. Before you know it, you will be playing every weekend for major money. Ninety percent of the professional musicians I know, will tell you, they started this exact same way.
Go for it, and good luck!
Back to the lesson menu:
Drum Solo Video: Click to 'LEARN'
Watch and Learn Now! PLAY Great Drum Solos within hours (not years).
NEW 'Subliminal Method' teaches drum solo techniques PAINLESSLY!
Master rudiments 'NATURALLY' without boring regimentation or serious discipline.
Listen, watch and PLAY your way to awesome drum solos (and polished rudiments) BY SIMPLY HAVING FUN. . . . It works, folks!
Don't be a skeptic until you at least try it first.
7 EZ lessons to Rhythm-Guru Status.
E-mail support: (til I croak).
EZ Downloads to CDs/Flashdrives
Special Secret Seeds of Rhythm.
Breaking-into Career Drumming $$
Musical Time - Finite to Infinity: Learn to easily jam and play music comfortably within any odd or even time signature. This material isn't currently taught in music-theory classes, yet it is simple enough for grade-school students. Discover more than 18 quintillion unique and different (modern music) song-beat structures.
Discover the (lost) 500 year-old enigmatic secrets hidden within the current time-signature system. Seven short mesmerizing and easy-to-follow lessons will lead you quickly and easily towards (musical-time) guru status. You will learn to visualize (read, write or feel) the existence More . . .
This very informative little booklet will amaze you with hundreds of valuable tips and insider secrets!
HOW TO: Purchase old/used drumsets for pennies and resell them for decent profits. How to find the bargains, create thousands of attention getting finishes at low cost. Brighten old cymbals and learn to rebuild old drumsets from the gound up.
